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The miracle worker characters1/2/2023 ![]() Cars 3 spends too much of the early going in idle, repeating familiar beats about how it sucks to get old while fetishizing shiny new cars and accessories that look great on Target shelves. With his optimism and enthusiasm restored, he undergoes a vigorous training regime, aided by his new coach Cruz Ramirez (Cristela Alonzo). Combating both injury and depression, Lightning falls into a funk during the off-season, requiring his friends (including Bonnie Hunt’s Sally and Larry the Cable Guy’s Mater) to talk him off the mental and emotional cliff. ![]() Chief among the upstarts is Jackson Storm (Armie Hammer), who usurps Lightning’s position as the sport’s reigning champion. Resolutely sweet-natured and marked by some compelling visuals, this entry - basically an animated Rocky III - is nevertheless the weakest of the trio, with Lightning McQueen (again voiced by Owen Wilson) and other old-school race cars finding themselves becoming obsolete with the emergence of newer and sleeker models. The previous pictures in Pixar’s NASCAR-approved franchise are perhaps the studio’s most underrated offerings - 2006’s Cars provided a lovely look at Route 66 mythology while 2011’s Cars 2 was an engaging espionage caper - but this one was rated about right. Ratings are on a four-star scale.) Cars 3 (Photo: Disney-Pixar)ĬARS 3 (2017). (View From The Couch is a weekly column that reviews what’s new on Blu-ray, DVD and Streaming. Like 3.Ernest Borgnine (left) and William Shatner in The Devil’s Rain (Photo: Severin) Thursdays-Saturdays at 7:30 p.m., Saturdays and Sundays at 2:30 p.m. The importance of deaf and blind culture is kept in the spotlight with The Miracle Worker, and this moving and unexpectedly funny production deserves to be a hit for SART. Regardless, Ladd’s rendering of this monologue was heartbreaking. Because Jimmy couldn’t be saved from the asylum, a continued visual would have enhanced the reasoning behind Annie’s persistence with Helen, as asylums were where misunderstood deaf and blind people were once sent. However, the omission of the haunting ghost of Annie’s ill-fated brother Jimmy was a missed opportunity. Such artistic liberties made the focus more on the family. Other minor characters, usually used to nuance Gibson’s play, were missing altogether. Randy Noojin as the stoic and bullheaded Captain Keller perfectly reacts with Kramer and creates a notable turning point in their relationship. Hopefully, he’ll appear in much larger roles in the future. As the Kellers’ son James, Calum Kramer needs very little dialogue to show an internal torment. However, there’s a beautiful supporting performance that deserves major acclaim. Generally speaking, the other characters in this play only help advance Annie and Helen’s true story. ![]() Regardless of stance, the scene is challenging - in the best of ways - for the actors to perform as well as for the audience to watch. This brings to debate the different techniques of raising children. A woman in the audience gasped in horror over the severity of discipline Annie enforces while others laughed with understanding. The famed breakfast scene where Annie literally fights Helen to break her control over obedience is very well staged. Because of such powerful performances, there’s a genuine awakening in both these characters. ![]() She is thrillingly bold with her interpretation while managing to make her expressions and mannerisms believable. When a performer finds a way to personally relate to the depth of a role, we witness acting in its truest form. Her streaming tears prove that every moment is based in reality. In a wit-filled portrayal, she commands the stage. Director Jessica West’s casting makes all the difference. Both actresses shake up the familiarity we associate with the iconic, Oscar-winning depictions by Anne Bancroft and Patty Duke. This production brings out two riveting performances in Ladd and Laughland. Can Annie reach Helen on a deeper level before her family intervenes with their coddling ways? It doesn’t take long for the teacher to realize she’s facing the challenge of a very smart but spoiled student who is resistant at every turn. Upon Annie’s arrival, there is immediate apprehension as she implements lessons of spelling letters into Helen’s hand. Stricken with scarlet fever as a baby, Helen grew up deaf and blind. 4.įresh out of school, 20-year-old Annie Sullivan (played by Amanda Ladd) comes highly recommended as a tutor for the Keller family’s daughter Helen (Sarah Laughland). Southern Appalachian Repertory Theatre’s immensely satisfying production of The Miracle Worker by William Gibson is on stage through Sunday, Aug. The only thing that connects you with everyone else is touch, smell and emotion. Imagine living in a world of silence and without landscape. |